Tag Archives: critique

Oil paintings

Here are oil paintings that I presented last week in end of the semester critiques. There are approximately 30 graduate students in two classes. Reviewers include faculty, visiting artists, graduate and undergraduate students, and visitors. Everyone is encouraged to respond to the work and ask questions of the presenting artists. This process provides direction for second semester work.

Clementines in bag — oil on linen panel, 8 x 8 inches (20 x 20 cm), 2011

Pitcher and oil jar — oil on linen panel, 8 x 8 inches (20 x 20 cm), 2011

Olives and oranges — oil on wood panel, 9 x 12 inches (23 x 30 cm), 2011

Geranium — oil on wood panel, 22 x 15 inches (56 x 38 cm), 2011

Flower on red table — oil on linen, 24 x 24 inches (61 x 61 cm), 2011

Orange on grey table — oil on linen, 22 x 20 inches (56 x 51 cm), 2011

Kimono and flowers — oil on wood panel, 15 x 22 inches (38 x 56 cm), 2011

Apples and teapot — oil on wood panel, 12 x 9 inches (30 x 23 cm), 2011

Pitcher and knife — oil on wood panel, 11 x 15 inches (28 x 38 cm), 2011

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Outdoor painting

If you like the way your paintings look as they are, don’t take a class with a guy who paints from life every day and will tell you what he sees. Instructor’s critique comments below.

north bridge, oil painting

North Bridge, oil on paper, 10 x 10 in (25 x 25 cm), 06/07/2010

• … has bounce; you protected the drawing; bridge is the best part; shape of field not clear; were trees as bright in highlight — yes or no?; squint; sky probably not as dark as that; you did a good job, looks good.

farm, oil painting

Farm, oil on paper, 10 x 10 in (25 x 25 cm), 06/08/2010

• … terrific; trees not that interesting; clouds overt — parts don’t add up — engineering; Italian pre-world war I painters in Sicily used simplified, abstract shapes, beautiful; color on right of building interesting; front of building best part — harder it is to paint more you succeed, you worked at it; engineering — how clouds really work; Homer’s Prout’s neck ocean waves; a lot of people want their paintings to look a certain way — have to be able to see their own painting, what’s happening in the painting, follow what’s happening.

farm, oil painting

Farm, oil on linen, 11 x 14 in (28 x 36 cm), 06/11/2010 –  in progress / scraped

• … lost context; high grass on left along road suspicious; disappointed in left side grass; have to paint whole thing, not adjustments to parts; became self conscious bottom half; sky good — done as a whole; you know what you feel unsettled about, gain more skills, you get better, stay alive on that level, you’re making these decisions, just follow, get there by not being self-conscious; John Updike’s example: creativity is like a drop of water on a hot stove — perpetual motion machine; in an hour no time to be self conscious; conscious thinking helps you get to it; trees too harsh.


Posted in landscape outdoor, oil, painting, writing essay | Also tagged , | Comments closed
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